Mulligan Stew Podcast

EP 180 | Jr. Gone Wild

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Guest is Founder of Jr Gone Wild – Original member Mike McDonald

The band was founded in Edmonton in 1982.

They recorded their first album, Less Art More Pop, in 1986.

Junior won an Alberta Recording Industry Award for best rock band in 1994.

They recorded several albums, leading up to Simple Little Wish, which was released in early 1995. The band broke up later that year.

Jr. Gone Wild reformed in 2013 and played a reunion show that was a wild success and the band started to perform live again and re-released their debut album Less Art More Pop!

From 1983-1995, Jr. Gone Wild helped introduce Canada to a new musical genre, alternative country. Over the course of five acclaimed albums, the Edmonton, Alberta band fused elements of folk and rock with a punk attitude, while building a devoted fan base through epic live shows. Now, after 25 years, original members Mike McDonald (guitars/vocals), Steve Loree (lead guitar), and Dave “Dove” Brown (bass) have reunited with McDonald’s nephew Quinton Herbert on drums for the really good Still Got The Jacket.

Our guest and original member Mike McDonald brings the stories from all those years. Plus four tracks from the album which is released November 12th.

Dodge -Behind the Wheel – Girl in the crowd – Fly at Night!

Junior are doing a family-friendly acoustic show on November 20 in Edmonton The Starlight Room with Forbidden Dimension etc It’s free but you have to get a ticket online, the rules man. Please invite your friends and family. It’s the same day as their  album release show and they  want all their friends with kids to have a chance to hear them  and get a little Jr. Gone Wild t-shirt

Hi Calgary, there are still a few tables for Jr Gone Wild  Sunday, November 21st. It’s an album release show at the Ironwood but they are going fast so they have added a second matinee show.

Jr Gone Wild – November 21 at 2:00 and at 7:45

Their  good buddy Boots Graham will open both shows with his lonely guitar.

 

https://jrgonewild.com/

EP 162 | Leeroy Stagger-Dystopian Weekends 

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Hello all:

As I explained when this show first ran in June – I jumped the gun BY MONTHS.

This Summer, I was so eager to let music fans hear Leeroy’s interview and new music, I completely forgot about the release date in October!!!

A senior moment to be sure.

It was supposed to come out in December 2020 which is why there are several Christmas songs included.

Here’s a comment from Amplify Music magazine:

 Despite a delayed release date, cancelled tours and a few more COVID-induced bumps along the way, Leeroy Stagger’s 12th full-length album Dystopian Weekends is available now on all digital streaming platforms. To celebrate the release of the album, Leeroy will perform 2 Dystopian Weekends livestream shows on November 6th and 7th through Side Door Access. Get more information and tickets here.

“Touring is so up in the air right now,” says Leeroy. “I had a burning desire to play these songs with a band, and my bandmates Tyson and Ryland happened to be in town for a few days so we got everyone together, including Nick on the drums and a few new friends to play the Dystopian Weekends material. I think the fans will enjoy it.”

Dystopian Weekends contains songs of environmental degradation, greedy land developers, Christmas songs about junkies and alcoholics, songs about race wars in America, modern day dust bowl songs of fleeing political ideology, break-up songs, and songs honouring dead friends. It all seems a bit much on paper, but Leeroy’s skillful song writing and musicianship have honoured it all in a very beautiful, relevant, and artistic way.

EP 179 | Adrian Sutherland

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When The Magic Hits is Adrian Sutherland’s debut solo album.

The first single Magic Hits was written by Adrian along with previous collaborators, brothers Chris & Matt Gormley.

Seven tracks on the album were produced, engineered, and mixed by Canadian-born Colin Linden, who worked remotely from Nashville while Adrian remained isolated in northern Attawapiskat First Nation. Colin lent his legendary guitar talents and back-up vocals to the tracks, helping bring Adrian’s songs to life with a whole new depth of heart and soul.

Two album tracks were produced, engineered, and mixed by Tim Vesely at The Woodshed Studio in Toronto. Adrian worked remotely with Vesely, who plays guitar and bass on the recordings.

When The Magic Hits features co-writes with Chris Gormley (The Trews) and Matt Gormley (Daylight for Deadeyes), Tim Vesely (Rheostatics), Colin Cripps (Blue Rodeo), Jay Semko (The Northern Pikes), Scott Dibble (Hemingway Corner), and Serena Ryder.

Adrian is far removed from studios and handy technology. People who live in the North need to be very resourceful. Just like Adrian.

He got a Sea Can donated. The same large metal containers that ship products by rail and sea all over the World.

He outfitted the inside into a recording studio. And instead of satellite dishes on the roof, he put a forest of moose antlers.

Other communities and artists

The songs are really well written, sung, and recorded. Smart to have Colin Linden pulling the whole thing together from Nashville.

Adrian walks us through several of the songs from When the magic hits. They include Nowhere to run which he wrote about his Mother who survived being sent to Indian Residential School. Another is Walk with me about walking with a friend around the entire shore of James Bay. A long and very hard journey.

When asked, Adrian leaves us with an invite to check out his music – in Cree.

Discover a great new voice. Adrian Sutherland!!

EP 178 | Bahamas

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This is, I believe, the 4th interview I’ve had the pleasure of doing with Afie Jurvanen!

From the very first listen I heard a unique and gifted singer and songwriter.

Blessed with a voice that is like no other and a great personality that allows him to make fun of himself – in song.

Ah but what songs.

Get prepared to love the songs you love -even more.  Imagine the confidence it takes to create music with some of the world’s best musicians but doing it long distance in separate studios.

Best of all this is just Volume 1.  The rest of these sessions may set my hair on fire.

Afie takes us through several tracks. How they got recorded and best of all his place in today’s music.

Enjoy

Bahamas (Afie Jurvanen) is currently in New York City  on his American Sad and Solo Tour and Friday Oct 8 he released highlights from his celebrated Live To Tape studio collaboration series in the form of digital EPs and a special vinyl edition.
The first digital EP, Live To Tape, Volume Ihighlights the Nashville sessions. Featuring performances with Grammy Award winners The 400 Unit, and The Secret Sisters backed by legendary Nashville musicians Gene Chrisman (Elvis Presley, Willie Nelson), Dave Roe (Johnny Cash, Sturgill Simpson), and Russ Pahl (Kacey Musgraves, Glen Campbell).

Created during the pandemic, Live To Tape captures Bahamas performing in-studio from Halifax, Nova Scotia with acclaimed artists performing remotely from studios in Nashville, Los Angeles, Melbourne, Perth, Toronto, and other locations. Other collaborations with Bahamas include Lucius, Australia’s Teskey BrothersMadison CunninghamGreensky Bluegrass, members of Dawes along with revered session musicians such as Nathan East (Eric Clapton, Stevie Wonder), Steve Ferrone (Tom Petty & The Heartbreakers), Gus Seyffert (Beck, Adele), Joey Waronker (REM, Atoms for Peace), Bob Glaub (Jackson Browne, Bob Dylan), Russ Kunkel (Joni Mitchell, John Lennon) and many more.
The Globe and Mail have called Bahamas an unassuming giant” of Canadian music, averaging over 3.5 million regular monthly listens on Spotify alone, with more than half a billion streams to date.

His most recent release Sad Hunk received the 2021 JUNO Award for Adult Alternative Album of the Year. A seven-time JUNO nominee, Jurvanen also received this accolade for Bahamas Is Afie in 2015, when he was also named Songwriter Of The Year.

“I Got You Babe” by BAHAMAS & The 400 UNIT [https://Bahamas.lnk.to/IGYB]

EP 177 | Whitehorse

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Last Saturday I had Melissa McClelland and Luke Doucet – Whitehorse – on Mulligan Stew CKUA Radio.  www.whitehorsemusic.ca

We shook the place up “real good” but this is the complete interview. Room for both Melissa and Luke to expand on the “Happy Hour Live”  experience from their living room during the lockdown.

They walk and talk us through their new album Strike Me Down and then we get really specific about

“what is Rock and Roll now”?

What is the new album in January?

Are you playing Massey Hall?

Tour dates in 2022?

Enjoy!!

EP 176 | Kímmapiiyipitssini: The Meaning of Empathy

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Kímmapiiyipitssini: [GEE-maa-bee-bit-sin] (A Blackfoot word that means “giving kindness to each other”) 

https://www.nfb.ca/film/kimmapiiyipitssini-the-meaning-of-empathy/

ElleMáijá Tailfeathers’ film witnesses radical and profound change in her community. Kímmapiiyipitssini: The Meaning of Empathy is an intimate portrait of survival, love, and the collective work of healing in the Kainai First Nation in Southern Alberta, a Blackfoot community facing the impacts of substance use and a drug-poisoning epidemic.

Community members active in addiction and recovery, first responders, and medical professionals implement harm reduction to save lives. This work is contextualized within the historical and contemporary impacts of settler colonialism; Kímmapiiyipitssini: The Meaning of Empathy draws a connecting line between the effects of colonial violence on Blackfoot land and people and the ongoing substance-use crisis.

Held in love and hope for the future, Kímmapiiyipitssini: The Meaning of Empathy asks the audience to be a part of this remarkable change with the community.

A member of the Kainai First Nation and the Sámi in Norway, Tailfeathers creates an intimate portrait of her community and the impacts of the substance use and overdose epidemic…

Awards: Emerging Canadian Filmmaker Award and Rogers Audience Award for Canadian Feature Documentary, Hot Docs 2021; Colin Low Award for Best Canadian Director, DOXA 2021

Terry David Mulligan 

 

EP 174 | Martha Wainwright

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For some artists that’s an eternity. For Martha it’s called “having a life”.

The life included the breakup of her marriage. Fighting for custody of her children.  Opening a bistro that became a studio. Having to justify being a female artist who’s also a mother. The feedback was “surely you can’t be both”?

The album is called Love will be Reborn which is exactly what happened to Martha. The songs that followed the writing of the title track reflect exactly what happened in the 5 years between releases. Produced by Pierre Marchand. You just know this is good.

It’s her very best work yet. Songs like Justice, Body and soul, Hole in my heart, and Love will be reborn. We’ll include them all in the podcast.

This conversation is not a Q&A. It’s me engaging Martha and getting the hell out of the way.

Love the woman. Love the music.

It’s Martha Wainwright people. Listen up.

EP 173 | David Gogo

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Silver Cup is David Gogo’s 16th full album

Feels like he’s shifting gears on his 59 1/2 Mustang.

Gone are the amps and electric guitars.

This is a rootsy acoustic  Dave GoGo but pushed and supported  by producer Steve Mariner and great session players.

Silver Cup is released October 7th and Dave will guest on Mulligan Stew CKUA Radio Saturday, October 8th.

This is an advance listen and Dave’s tales to how the album came together  during the lockdown.  Also the stories behind the songs and the tour dates.

We play you

Silver Cup

Never gonna change

Top Shelf

EP 172 | Ed Robertson talks BNL’s Detour de Force

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The Barenaked Ladies 16th album is called Detour de Force. More wordplay from a band that majors in it. Right?

I knew this album would be different when I saw a track written by bassist Jim Creegan called Paul Chambers. Who writes a pop song about a legendary bass player (Kind of Blue) as a metaphor?

Ed himself wrote the amazing  Live Well, a song about his childhood filled with his Father’s alcohol abuse and how he overcame the trauma.

The album ends with the outstanding Kevin Hearn track called Internal Dynamo. It’s about planets generating their own magnetic fields. Not your basic pop/rock fodder.

It starts like something Pink Floyd might have left us with but 2:40 into the 5-minute track the music shapeshifts into Rage Against the Machine and then ends with a Beatles White album feel.

EP 171 | Remembering Charlie Watts and The Last Waltz. Plus My Name is Suzie Ungerleider

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Every once in a while all of the planning goes OUT THE WINDOW.

This week’s Podcast for example.

I always knew there would be a complete interview with Suzie Ungerleider (Oh Suzanna). Her new 10th  album is called My Name Is Suzie Ungerleider and the story behind the title tells quite a tale.

The music is the best she’s ever released.  So, the complete interview and tracks as well.  Suzie closes the podcast.

Also this week, I was doing interviews with Barney Bentall, Colin Linden, and Russell Broom about their involvement in Remembering The Last Waltz.  Four nights of celebrating The Band’s Last Stand almost 45 years ago.

Sept 2 & 3 Southern Alberta Jubilee Auditorium

Sept 9 & 10 Northern Alberta Jubilee Auditorium

Before we shared memories of The Band we talked about the passing of Charlie Watts.  Legendary drummer for The Rolling Stones. His effect of The Stones and on us is remarkable considering how quiet and gentle he was. As large and loud as all The Rolling Stones were, it was Charlie that held it all together, on stage and off.

So..we start this Podcast by remembering Charlie Watts, then  The Band, and celebrating Suzie Ungerleider.  Busy week.

Cheers Charlie..

 

 

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